Issue 1985-08:

“8% In: Will Classical Music Fade Away?”

To Read This Issue:

• 9% In: “Classical Music: Its Origin, Influence And Metaphysical History“
• 17% In: How Music Changes With The Times: Be Thankful Youth Has Rock For E
• 19% In: How Classical Music And Rock Music Affect Lifestyle
• 21% In: Rock Music Releases Astral Energies
• 30% In: Wolfgang Amadeus Mozart: A Musical Anomaly
• 32% In: Do The Musical Masters Reincarnate As Musicians?
• 38% In: Can Easy-Listening Type Music Cause Mass Suicides? The Perils Of S
• 44% In: What Popular Music Will Be Like 50 Years From Now
• Page 1: Music (Mad about) – from Amadeus to the Beatles
• Page 2: Classical music – its origin, influence and metaphysical history
• Page 2: Fade Away (Will classical music?) – a firm foundation for classical music
• Page 3: Music changes with the times (How.)
• Page 4: Lifestyles (How classical and rock music affect)
• Page 4: Rock music – releases astral energies
• Page 5: Mozart – a musical anomaly
• Page 6: Reincarnate as musicians (Do the musical masters?)
• Page 7: Schmaltzy music (The perils of) – can easy-listening type music cause mass suicides?
• Page 8: Popular music (What will it be like 50 years from now?)

Excerpts From This Issue On Music

• 4% in: “onstant emphasis in the culture on rock music, that classical, and its many virtues are being ignored. Could you possibly ask”
• 4% in: “about the lives and characters of Bach, Mozart, Beel. hoven, may help drew attention to e discipline that can lielp raise the “
• 4% in: “ur own research, for example Wes Beclfs music intentionally hidden? And was he kept out of positions of influence ileceuee ol”
• 4% in: ” of influence ileceuee ol his vision oi music? Was Mozart poisonedfh and for that nietter, is the play and movie Amadeus a sr”
• 4% in: “ce ileceuee ol his vision oi music? Was Mozart poisonedfh and for that nietter, is the play and movie Amadeus a srneer as I am”
• 5% in: “.is 3 What was the reletionsliip ol the music of these three great coiliposers to the founding of America? Have may of these “
• 5% in: “y doing now? What is the value of their music for elevating and structuring in a positive sense, consciousiiess in this era a”
• 5% in: “l reading or summation on the classical music composers? CDSM lfl AWARENESS 1 This Awareness indicates that essentially, the “
• 5% in: “areness indicates that essentially, the musical system as used in the Western world, as that wliicll has been closely linked, a”
• 5% in: “T heinforma1 ion aassoeiated with these musical scales, and the relz l .ionship of notes to one anotlier, as being evolvecl out”
• 6% in: “relating to the mystical value ol these musical notes and their systems is found in the book by Pl . ifluspenslfyz In S eczrch “
• 6% in: ” of the mystica l and secret aspects of music and dence, among other things. i l lfP 1 Note ln Search of tlif Mi M culous by “
• 7% in: “. in terms of the classical approach to music, wherein the harmonic chords are empliesized, wherein harmonies and rliythrne a”
• 7% in: “erent app roaches in terms of classical music, these are the natural evolvenient from the system of harm ony and chords and t”
• 7% in: ” al 1ciei 1L or occult system of coding music. The natural evolvenment being that which grew out of Gregorian clmnie, the mon”
• 8% in: “compliinent or distort, and essentially music is e great frosuzier in which entities are allowed to exprexss tliemselves in f”
• 8% in: ” witliin certain cultural syst.e1 ns of music, there are limitations au to what is allowed the jazz approacll is not . G1 lTl”
• 9% in: ” ex pe1 irnentati1 1n may lead to a new musical sounrl wliich gains popularity. Wil Clef 5sr all I i1si Fade Away? Many of thes”
• 9% in: “puieri ty, this is true in all types of music. That the future of classical music is assured for long life that this relative”
• 9% in: ” of music. That the future of classical music is assured for long life that this relative to the long life of individuals and”
• 9% in: “s little reason to expect the classical music shall fade away. The clarssaicel music app ears to he likened unto a fouiidatio”
• 9% in: ” music shall fade away. The clarssaicel music app ears to he likened unto a fouiidation, on which other styles build their pl”
• 9% in: “muilcling. The jazz, the blues, the pop music and the rock and new wave Sounds, l. llt iSE, and those fi mn other cultures, f”
• 10% in: ” if they are to enter into the field of music. That the degree of talent involved in musical expression may vary, whereby one”
• 10% in: “. That the degree of talent involved in musical expression may vary, whereby one entity receives great classical trainingg, ano”
• 11% in: “nciples of harmonies, yet this field of music is that which can he anvone s playground, and in which there are no policemen, “
• 11% in: “tate how they should or should not play music. This then becomes a choice, and an entity needs not participate in that hierar”
• 11% in: “er determining what general category of music they wish to express tliemsclves in, must than discover what kind of teacher or”
• 12% in: “ch Tliat as far as con spiracies to use music to affect consciousness, as i nd icated in the New Solidcf it v, and as irnplie”
• 12% in: “ave ii rehearsing in a club with a rock musical group. That the entity who listens to cultural classical music will liuw a grea”
• 13% in: “ntity who listens to cultural classical music will liuw a great ciilft erent attitude than the one who spends his or her time”
• 13% in: “hiilbilly guitarist that obviously, the music entities pick not only rc fleets their values, it also helps to mold their valu”
• 13% in: “. That entities who spend most of their musical listen ing time indulging in rock music of a frantic nature, whereby their bodi”
• 13% in: “sical listen ing time indulging in rock music of a frantic nature, whereby their bodies are jerking, their heads are nodding,”
• 14% in: “or the time, and to the degree that the music becomes an obsession to them. That wherein entities become so rigid in their li”
• 14% in: “yles that they can only enioy classical music, these entities may find themselves becoming stcmdgiy and stiff in other ways a”
• 14% in: “!fi !iZll ll Jl them to listen to other music that swings, that ruftlis, that jerks, or that lifts their s iia iis in A rlif1″
• 14% in: “ly identified with one or two styles of music, this allows an entity to have a greater perspective of life, of society, and o”
• 15% in: “oadminded and tolerant olf others. That music itself can serve as a il21i . iI SlElJElf of an cntity s level of tolerance, an”
• 15% in: ” entities who cannot tolerate classical music, also cannot tolerate the estahlisliment and structure that entities who cannot”
• 15% in: “ic, loose, or popular swim or rocl type music, generally ore stodgy, critical and confleirinine of those who are essentially “
• 15% in: “tities who enjoy ilil i e1fent Types of music at diff erent times, are cape ble of lining responsible luring certain perimis,”
• 15% in: “ircunlslgunces as may be necessary, and music serves as a barometer tu measure an entity s capacity to become socirciiacd in “
• 15% in: “rious diflferent exper i 1 lC S. Q6 HOW MUSIC CHANGES FI it vvrra THE TIMES In BE l l 5 NKFUL YOUTH HAS ROCK ,ii R E Fon E C “
• 16% in: “l that It often exprewes Itself through musicians and composers. It occurred to me that some oi the most enduring and uplifting a”
• 16% in: “uring and uplifting and long lasting of music was composed by entities many years ago, duving times when th ete was much inhu”
• 17% in: “lost, and in such expression may choose music, which is not a painful occupation, but one which expresses their feelings with”
• 17% in: ” without harming others and in choosing music, entities nav express the deep compassion, sorrow, suffering, joy and hopes whi”
• 17% in: ” is suffering, often the most beautiful music is created vine rei n there is that which is joy and hope, there is also the op”
• 17% in: “n modern days, these inlprovisations of music and dance can be recorded on film or tape, and thereafter recreated, and these “
• 18% in: “r reprod uction. How Classical and Rusk Music Affect Lifestyles Tliat in earlier times, most of the music evolved frorn rnorn”
• 18% in: “les Tliat in earlier times, most of the music evolved frorn rnornents of contemplation, sorrow, and times wherein entities so”
• 18% in: “rein there is much peace and happiness, music often tends not to lie based so much on beautiful harm onies and chords, but ra”
• 18% in: “eek to upset that static situation with music that is wild and frantic. That in this sense, rnucli of the wild and frantic mu”
• 18% in: “s sense, rnucli of the wild and frantic music which entities experience in rodagfs society, tends to release energies which o”
• 19% in: “rgies cliannelecl into wild and frantic music occasionally reach a crcscencio wherein there are accidents or violations, hut “
• 19% in: ” expressed in other areas witzliout the music accompanying. This Awareness indicates that when the Hires of Spring was first “
• 19% in: ” and other ways. They becanic angry the music triggering off those primitive energies of hostility that this music disrupting”
• 19% in: “imitive energies of hostility that this music disrupting the liurnionics of their bodies that dissonance tends to disrupt pat”
• 20% in: “behavior are detrimental, and dissonant music is played, it disrupts the detrimental patterns, That if this is then followed “
• 20% in: “is is then followed by more herm onious music, it puts the patterns back into harmon ious expressions. That wherein music bec”
• 20% in: “o harmon ious expressions. That wherein music becomes mens and more dissonant, and the greater and greater basic dissonance i”
• 20% in: ” shouting, fiance and reactio 11 to the music, express those energies within tliemselves. This likened unto the primal scream”
• 21% in: ” some other form of aggression. l iqclc Music Releases Astral Energies That the recent type of music, elcctroiiic rock and l “
• 21% in: “Astral Energies That the recent type of music, elcctroiiic rock and l new wave, has had an effect of penetrating the astral p”
• 22% in: “indicates that vfrc it not for the rock music of the 6U s, 70 s and 8025, th World would have reached such I1 state of tensio”
• 22% in: “n place that these rock festivals, rock music exprewions, and tlic release of these tensions through music, and in some cases”
• 22% in: ” tlic release of these tensions through music, and in some cases through drugs, as that which has been beneficial in many way”
• 22% in: “s. That during times wlicrcin classical music was thc only outlet of expression, there was the artificial formality, politene”
• 23% in: “t and Stable, in l l lf Cl lOl l ol the musical style that was present, highly stiructured or more loosely structured, these co”
• 23% in: “l hat again, as in all things, when the music becomes too frantic? too wild, too loose, and entities lose con trol ol all sen”
• 23% in: “r wherein a society allows a variety of music, this allows the society to have greater opportunity for iirccdoni of expressio”
• 24% in: “down. Essentially, it is the variety of music in the United States and in Western cultures which in its influences has create”
• 24% in: “as. This Awareness indicates that these musical and art istic eirprcssions reflect the changes that are coming, generally befor”
• 24% in: “rally follow the cultural, artistic and musical expressions. u .. .. . , I I. . , .f The same can be said of literature in many”
• 25% in: “shi Another very controversial piece of music was Maurice Ravel s Bolero .When first performed, entities threw vegetables and”
• 25% in: “s and hurled curses at the composer and musicians, critics called the music immoral and licentlous, too sensual and could drive t”
• 25% in: “poser and musicians, critics called the music immoral and licentlous, too sensual and could drive the listener into performin”
• 26% in: ” DEAF ? FOLLOW UP QU ESTI ON Awareness, musical critics and l1isi.oriz ms to this day, are hailing the enhty Ludwig van Beetlio”
• 26% in: “er lived, and this is the men who freed music, who revolutionized music, who set, the whole basic platform on which music to “
• 26% in: “men who freed music, who revolutionized music, who set, the whole basic platform on which music to this clay has been built y”
• 26% in: ” set, the whole basic platform on which music to this clay has been built yet this entity was stone physically deaf during th”
• 26% in: “some of his greatest and most beautiful music. Can Awareness explain how that came to be? COSMIC AWARENESS This Awareness ind”
• 27% in: “body as these sounds were created. That music can be created strictly trom math ematical type off formulas, even as numbers c”
• 28% in: “ould often awe en in the night, hearing music deep inside his head, altliougla he could not hear it with his ears that it was”
• 29% in: “i previously how It often channels thru musicians etc. Could this he some of that. 15 error Awareness says the interpreter makes?”
• 29% in: “c3 r Lf. M WOLFGANG IXMADEUS IVIOZART A MUSICAL. ANONIALY IPOLLCJW UP QUESTlON Would Awareness explain the phenomenon of an ent”
• 29% in: “ain the phenomenon of an entity such as Mozart? I guess there simply isn i anyone else lille Mozart, who is reported to have c”
• 30% in: “ss there simply isn i anyone else lille Mozart, who is reported to have composed over a thousand, 1 believe, compos itions in “
• 30% in: “ame involved in the system or method of music and music notes as a form of expression and c on1nmnieat.ion. That if you can i”
• 30% in: “ed in the system or method of music and music notes as a form of expression and c on1nmnieat.ion. That if you can imagine chi”
• 31% in: “than loarninig eo speak, learns to play music, and communicate through music, and the speech being that which followed as a s”
• 31% in: ” to play music, and communicate through music, and the speech being that which followed as a secondary language, rather than “
• 31% in: “rimary language then you can understand Mozart. ThE entity, prior to this lifetime, as having been involved in music for many “
• 31% in: “is lifetime, as having been involved in music for many other lifetimes previously. FOLLOW UP QUESTION Was the entity murd ere”
• 32% in: “he details or certainly of this. DD THE MUSICAL MASTERS R NCAF NATl AS NiLl SiCI.Al ! ? i f Li,OW fUF QUl S I I ON r These grea”
• 32% in: ” sit down at the piano and channels the music of the masters. The strange thing about this is that she will channel ind compo”
• 32% in: “is is that she will channel ind compose music of Beethoven, Mozart, and so forth, and the critics will examine this music, wh”
• 32% in: “channel ind compose music of Beethoven, Mozart, and so forth, and the critics will examine this music, which is all new music,”
• 32% in: “orth, and the critics will examine this music, which is all new music, even put it through computer testing and they ll sayi “
• 32% in: “ll examine this music, which is all new music, even put it through computer testing and they ll sayi Vos, this very easily co”
• 33% in: ” 3 AWAi i l NICSS normally be engapd in music because of this strong earr3,f over ? Or would they feel they have been played “
• 33% in: “L i e entity Glen Miller as now a young musical teacliel and tromhonist in the area of iyn1pia L 1at these being but examples o”
• 33% in: ” their musieai inclination. Some of the musicians, in passing over, and. return ing Lo earth, do not continue in the musical vein”
• 33% in: “rn ing Lo earth, do not continue in the musical vein with the same determination and accomplishnients, but ratlier may have a m”
• 34% in: “ccomplishnients, but ratlier may have a musical inclination, desire, enjoyrnent, appreciation, and may find expression in other”
• 34% in: “ster as having returned and is Writiiig songs at this Lime that tiiere are nanny musicians on this plane al. this time, who h”
• 34% in: “ongs at this Lime that tiiere are nanny musicians on this plane al. this time, who have in the past estziblished them selves with”
• 34% in: “QUESTION Are the entities Beethoven and Mozart embodied at this time? COSMIC AWARENESS This Awareness indicates it appears tha”
• 34% in: “s appear to be in a physical nature The musical expression appears to be more in terms of piano playing and casual songs rather”
• 34% in: “re in terms of piano playing and casual songs rather than in terms of great orchestral productions that the entity Mozart doe”
• 34% in: ” orchestral productions that the entity Mozart does not appear to be on the plane at this time that these energies are not str”
• 36% in: ” linaenu Iimwn has Dmduced quamiiies of music dimmed to her, she says ily great. masters whose spirits survived death. She is”
• 38% in: ” .L1 , . JH A Iv CAN EASYLESTEMING TYPE MUSIC CAUSE MASS SUICIDES ? THE PEFIILS or scnmnirzv Music 1 ULlf.DW l lP QU ES I.GN “
• 38% in: “ASS SUICIDES ? THE PEFIILS or scnmnirzv Music 1 ULlf.DW l lP QU ES I.GN In a recent Playboy magazine issue, therrfs an articl”
• 38% in: “s an article called, Can Easy Listening Music Cause Mass Suicide? written by John Eel row, and I cI like to read a little of “
• 38% in: “he Who, some observers have rnade roclr music itself the culprit for the tragedy. While the practice of festival seating, a f”
• 39% in: “sed io find a death orientation ir1 the music as well, find it goes on to say The issue is so volatile that debate is sure to”
• 39% in: “who have infiltrated the easy listening music scene. 1 rn any horrified Americans wondered, in the ai ter math of the Kansas “
• 39% in: “ng strains .if such supposedly harmless music could result in such a grisly scene. The image of a giant walkway swaying under”
• 41% in: “lly trained dozens of small murder bent music squads or combos, then dispatched thern to various union halls, country clubs a”
• 41% in: “uth tc this theory abcui easy listening music causing all these deaths and suicides? COSMIC A WARE NESS. This Awareness indic”
• 42% in: “ors of attributing the irio ire of this musical ipprcacli to the hand leaders nicntirnied, that this as Jute Fantasy and slande”
• 42% in: “d slander how ever, the sclirnaliz type music, the easy listening music, piirticnlarly that of those times in the 40 s, which”
• 42% in: “lirnaliz type music, the easy listening music, piirticnlarly that of those times in the 40 s, which tended to create personal”
• 42% in: “or unrequited love themes, this kind of music, associated with thc barroom atmosphere, did have greaiter tendency to contribu”
• 42% in: ” Pairtir ularl3,f, for example, was the song known as Glmmgy Someday, wherein a great number of entities conimitized suicide”
• 42% in: “ized suicide, leaving the words to this song scribbled on notes, or the record on their plionograpli that this as being the “
• 42% in: “s as being the epittnne of this type of music. lflia.i, the change came with jazz music, with rhythm and blues, hut this chan”
• 43% in: “sic. lflia.i, the change came with jazz music, with rhythm and blues, hut this change was not pronounced and not yet sufficie”
• 44% in: “occurred with the Beaties, who in their songs instilled light meaningless eacpressions, songs, music of a light and happy nat”
• 44% in: “stilled light meaningless eacpressions, songs, music of a light and happy nature, a joyous note I want to hold your hand. Suc”
• 44% in: ” light meaningless eacpressions, songs, music of a light and happy nature, a joyous note I want to hold your hand. Such songs”
• 44% in: “ous note I want to hold your hand. Such songs did not convey the concept of unrequited love, inadequacy, or other poor selfdm”
• 44% in: ” to have a choice ol different types of music that uplifted their spirits rather than reinforcing poor self images. WHAT POPU”
• 44% in: “nforcing poor self images. WHAT POPULAR MUSIC WILL BE LIKE 50 YEARS FROM NOW FOLLOW UP QU ESTION One ttinel question. Could A”
• 44% in: “can see this, describe what the popular music will he like, say 50 years from now. The nature of it? COSMIC AWARENESS This Aw”
• 45% in: ” This Awareness indicates there is seen music which has been composed and piayed by eo mput.ers, wherein individuals do not e”
• 45% in: “in the expression. That there are still musicians and musical shows and expressions, but these computers, having been pro grammed”
• 45% in: “ion. That there are still musicians and musical shows and expressions, but these computers, having been pro grammed to create m”
• 45% in: “ters, having been pro grammed to create music, are capal le of creating and playiiig certain musical sounds, tones and qualit”
• 45% in: “pal le of creating and playiiig certain musical sounds, tones and qualities. That there also are seen classical music from the “
• 45% in: “ies. That there also are seen classical music from the past, recornposed into electronic styles, wherein sounds are…tI1at t”
• 47% in: “he light and create the theme.That this musical note, carrying the meledy may be one or n a be several fish of similar sicee, m”
• 48% in: ” This Awareness indicates that the rock music of today is emphasizing the gonad and lydan and adren aline energies, and reach”
• 48% in: ” oops of modern rock type or electronic music that reach into the higher ciiaekras . That the music of fihrrgerfne Dream, Kla”
• 48% in: “ch into the higher ciiaekras . That the music of fihrrgerfne Dream, Klaus Schultz, the music of the entity ED. McConey, who c”
• 48% in: “f fihrrgerfne Dream, Klaus Schultz, the music of the entity ED. McConey, who composesfor many movies, and some of the other g”
• 48% in: “liekras. That even as these musics, the music of these higher Chakras becomes more popular, there will still he those groups “
• 49% in: “roups of entities who cling to the folk music of old, liriown as rock, herd mek, punk, or rhythm and blues, and Westerns. Tha”
• 49% in: “ies, in clinging to these old types oif music will be more of the minority, whereas the majority will be involved in the ilig”
• 49% in: ” valued, but in coliiparison to the new music, will seem Some whai bland. The classies W ill appear to be somewhat in the sam”
• 49% in: ” see the Gregoriaui chants and medieval songs in present context Z if it if i , , ei i xi 15 L Ni i i MM t W ml F i . q e ff “
• 50% in: “which are coming to the vihratrons, and music which is having its effect on entities, it must be remem bered that music not o”
• 50% in: “n entities, it must be remem bered that music not only is capable of soothing the savage beast, it is also capalile of creat1″
• 50% in: “palile of creat1 ng a savage beast that music as that which also is reflecting of the soul, which can influence, and which ca”
• 50% in: “n be influenced by the soul of entities Music servw as a kind of mirror in the vibrational level of the vibrations that entit”
• 51% in: ” feel. lr l l 1 For more information on music, please refer Lo Revelations of Awareness No. ? ? 15 A Message to Musici nis Zl”

Issue 1996-05:

“6% In: Composers Who Admit They Didn’t Write Their Music“

To Read This Issue:

• 17% In: Are Great Musical Ideas Just Floating Around In Consciousness?
• 27% In: When Vicki And Enya Wrote The Same Song
• 30% In: Can Certain Music Trigger Past Lives Or Genetic Memories
• 32% In: Why All The Vulgar Tasteless Music Being Played Today
• 35% In: Who Is Behind The Mass-Marketing Of Trash Music?

Excerpts From This Issue On Music

• 1% in: “f i X l e 4 . Where Does Fine Classical Music Come From? The Mystery of the Virgin Mary Popping Up on Trees and Other Places “
• 1% in: “rnmuuuu. ABOUT THE 0RlG NS OF CLASSICAL MUSIC A question from J.D. in New York Where does fine classical music come from, ori”
• 1% in: “. in New York Where does fine classical music come from, originate? Surely not from human minds of this pl ane? cosmic awnnnr”
• 3% in: “Awareness indicates that inreference to music, composers often learn things that most people do not even com rehend the relat”
• 3% in: “ote, it is an expression that indicates musical effort to reach that other note. If the time also is extended so that this note”
• 4% in: “es understandin composition, can create musical melodies that pull tug at your emotions. The words of course may follow, or may”
• 4% in: “g different QUESTION to convey than the music itself, but the musical harmony and musical tones, playing around with these ha”
• 4% in: “o convey than the music itself, but the musical harmony and musical tones, playing around with these halt tones and fulHones an”
• 4% in: “sic itself, but the musical harmony and musical tones, playing around with these halt tones and fulHones and elongated tones or”
• 4% in: ” the emotions that are con veyed in the music, which lies behind the lyrics. This Awareness indicates, of course, there ts al”
• 4% in: ” creatuig the melody and essence of the music. The harmony and the rh thins and the relationships of notes one to another all”
• 4% in: ” can stop focusing on the technolopy of music and get into the creative feeling that he or s ie wishes to convey, the entity “
• 5% in: ” the technical qualities and aspects of music and can play with it, then the entity can become a great composer. COMPOSERS WH”
• 5% in: “OSERS WHO ADMIT THEY DIDN T WRITE THEIR MUSIC QUESTION Many lyears algo I ran across a book that was printed in the late 80 s”
• 5% in: “e composers that they did not write the music that 1t came to them in overpowering types of energy, often while they were asl”
• 5% in: ” These were poop e who went through the music colleges and knew al the fundamentals of writing music and so forth, but they a”
• 5% in: “and knew al the fundamentals of writing music and so forth, but they all admitted without exception in this hook, that the ha”
• 5% in: “t the hardest part was to orglanize the music after they d written it own so thatt e other instruments could play it, like in”
• 6% in: “non and so on, neigier of whom can read music, let alone write it, have experienced the same phenomenon. They keep tape recor”
• 6% in: “ecorders by their bed and they heat the music in t eir dreams or in their sleep, or in t eir light waitin state, and they sta”
• 6% in: ” an entity which is added on top of the musical knowledge that they do have. This Awareness indicates you do not find entities “
• 7% in: “icates that if the cntity s interest is music, then the inspiration would channel t rough that field of Hnowledgle which the “
• 7% in: “rmance of singing rat er than vvrittn g music, or composing music. This Awareness indicates inspiration is an extremely impor”
• 7% in: “t er than vvrittn g music, or composing music. This Awareness indicates inspiration is an extremely important aspect of any a”
• 7% in: “ritten accounts ol the masters, such as Mozart and Handel and some of thtilgrea opera griters licke Q erdi , wh? get insp red “
• 8% in: “ain that then? That they re hearing the music in their iiead all this time and feverishly writing it down? cosivntzawxrttsnns”
• 8% in: “some time or another, a tune, make up a song, or write in their minds a melody, but most children do not know how to put thi”
• 8% in: ” sing it, and that becomes their little song they made up , but it dnesn t last for much time because there is no record of “
• 8% in: “ation creates, but the recording of the song is missing, and no one knows how to make it arty more than it was. This Awarene”
• 9% in: ” also had training in writing chords of music, and could experiment and find different notes that o together to make up these”
• 9% in: “add the necessary rhythms and chords or musical combinations to make the son , the melody, any more than something that is humm”
• 9% in: “spirits that are funnling somehow these musical masterpieces to the composer, and that all of these inspirations are somehow in”
• 9% in: “ted spirits evidently, probably of past musicians, snclithey impart this as a form of inspiration intohtlip minds oft e composer.”
• 9% in: “ol of a pt rson s mind and is composing music through the entity. Unless the entity has absolutely no musical background or m”
• 10% in: “ty. Unless the entity has absolutely no musical background or musical understandin of notes at all ou would have to assume Y th”
• 10% in: “has absolutely no musical background or musical understandin of notes at all ou would have to assume Y that the inspi ation is “
• 10% in: ” if the entity is totally devoid of any musical knowledge other than humming or singing a tune verbally, and the music is being”
• 10% in: “ing or singing a tune verbally, and the music is being inspired by some spirit if the entity is devoid of such musical traini”
• 10% in: ” spirit if the entity is devoid of such musical trainin , but gets information as to the harmonies, chords, rhythms, and it is “
• 10% in: ” olghourse you can assume that even the musical knowl edge channeled through an entity may be spirit oriented or sent from a sp”
• 14% in: “the ina and est performance. Thus, your music, your art, your sports, your relation ships with others, your intimacies a 1 of”
• 15% in: “ping your artistry and skill. ARE GREAT MUSICAL IDEAS JUST FLOATING IN CONSCIOUSNESS? How Creativity and lnventlveness Works QU”
• 20% in: “deliberately decide to keep that in the song. Thus, accidents should bo watched carefully for any benefit that might occur i”
• 23% in: “t ideas, concepts, books, operas, great musical compositions, are floating around waiting for someone to receive them leads to “
• 26% in: “fort. When Vikki and Enya Wrot the Same Song FOLLOW UP QUEs rr0N tvnrnnr A few ears a o l had written a articular song and a”
• 26% in: ” few ears a o l had written a articular song and a few rnontlis latergl ran across this il and Enya had done the same song w”
• 26% in: “ross this il and Enya had done the same song within just a couple of notes, and it occurred to me that we picked up on the s”
• 26% in: ” composers may get essentially the same song in possib y the same time period, and since she was already famous and set up t”
• 26% in: “as already famous and set up to get her songs out for people to hear, that would be the song people get to hear. COSMIC AWARE”
• 26% in: “t for people to hear, that would be the song people get to hear. COSMIC AWARENESS This is in the affimiative. This Awareness”
• 26% in: “eness indicates that in a creation of a song or of words, if the notes ofa tune, the melody parallel each other for more tha”
• 27% in: “ness indicates the same with words in a song. If six words or more are exact, usuallyit violates the copyright of the first “
• 28% in: “ndrome, and when I was doing most of my music writing. my best inspiration came from emotional crisis or emotional parn, sorn”
• 29% in: “ind of disturbance or pain. CAN CERTAIN MUSIC TRIGGER PAST LIVES OR GENETIC MEMORIES? QUESTION A uestion in this area from A.”
• 29% in: “y mind for quite a while. s a classical music lover, I listen to all the masters. However, there are two pieces that somehow “
• 30% in: “lt by all who listen to the Tarrnhauser music, especially that at the begin ning so that the feeling of the music may be exac”
• 30% in: “e begin ning so that the feeling of the music may be exact y what is intended by the musical performance, and it may not be s”
• 30% in: ” may be exact y what is intended by the musical performance, and it may not be something you individually eitperience as being “
• 30% in: ” witnessed at some point a use for this music to make a scene or situation t at conveyed a certain emotion. This music has be”
• 30% in: “n t at conveyed a certain emotion. This music has been used in many different movies, for example, and perhaps there ts some “
• 30% in: “from one of those movies that used this music. It may have some effect on you because of the connection with a movie. This Aw”
• 30% in: “e pos sibility that you have heard this music in a previous lifetime in some connotation wherein there were dark forces invol”
• 30% in: “l levels. This Awareness indicates that music does carry over from scenes, experiences, even through lifetimes, to help jar t”
• 31% in: “mber some event and you can recall what music played at the time, or if you can recall certain smells that were present, by p”
• 31% in: “ells that were present, by playingl the music or recreating these smells, you can get a muc more vivid recollection of the ev”
• 31% in: “l some kind of event and you can put on music that was part of the ambiance of the time, or you can manufacture smells, putti”
• 31% in: ” one lifetime can be recaptured through music or from smells or from other sensual data that occurs in a future lifetime whic”
• 31% in: ” lifetime. WHY ALL THE VULGAR TASTELESS MUSIC BEING PLAYED TODAY ? oUr sTioN Some questions about music from M. I ., in New Y”
• 31% in: ” TODAY ? oUr sTioN Some questions about music from M. I ., in New York City. He writes Why has there been such an onslaugllit”
• 31% in: “drivel in most forms o American popular music today? cosmic AWARENESS This Awareness indicates that this appears to have come”
• 32% in: “evision, and they wouldnt be calling it music, and they wouldnt promote it so much! Thus, entities who do not really know wha”
• 33% in: ” our art, not yours! You on t know what music is until you ve seen our type of music. We are glad it shocks you! We are glad “
• 33% in: ” music is until you ve seen our type of music. We are glad it shocks you! We are glad tt offends you, because we want to offe”
• 33% in: “d entities are the better they like the music and theiy encourage their peers to go out and buy the music t at is so shocking”
• 33% in: “urage their peers to go out and buy the music t at is so shocking and so offensive to their parents and grandpar ents. Arid t”
• 34% in: “e impact of eing exposed to suc extreme musical styles as hard core rap and heavy metal? COSMIC AWARENESS This Awareness indica”
• 34% in: ” rough so much of the har core rap type music. WHO IS BEHIND THE MASS MARKETING OF TFIASH MUSIC? His next question, Awareness”
• 34% in: ” IS BEHIND THE MASS MARKETING OF TFIASH MUSIC? His next question, Awareness probably answered most of this Who or what is tru”
• 34% in: “ng of cacophonous trash as contemporary music to the American public and subsequently to the world? cosivuc AWARENESS This Aw”
• 36% in: “o you. CAN AWARENESS RECOMMEND ANY GOGD MUSIC AROUND? One last question from this entity. Can Awareness make a recommendation”
• 36% in: “bersltip as to which artists, forrns of music and relative time periods that one may partake of without tapping in to discord”
• 37% in: “hose artists to determine whether their music i s uplifting to you. So much of the current music bythe new artists i s degrad”
• 37% in: “plifting to you. So much of the current music bythe new artists i s degrading. It promotes sunclde. It promotes violence. It “
• 37% in: “ou want joy, you want inspiration frgnn music land there rs little found an these new artists and their music. The Law ofGrar”
• 37% in: “le found an these new artists and their music. The Law ofGrarErucfe is given. QUESTION Controversial a want garde sousaphom s”
• 37% in: “osers Who Admit They Didn t Write Their Music 2 Dm Spirits Inspire Composers? 3 Ave Great Ideas Just Floatlrlg In Consciousne”
• 37% in: “4 When Vlkkl T. and Enya Wrote the Same Song 6 Huw Emcrttnns Affect Creat M ty 5 Carl Certain Music Trigger Past Lives or Ge”
• 37% in: “rttnns Affect Creat M ty 5 Carl Certain Music Trigger Past Lives or Genetic Memerles?6 Why alllhe Vulgar Tasteless MUSIC Belr”
• 38% in: ” Memerles?6 Why alllhe Vulgar Tasteless MUSIC Belrtg Played Today? T Wh p l l3 l l n5l the l . a s Marketing of Trash MUSIC? “
• 38% in: ” l l n5l the l . a s Marketing of Trash MUSIC? 7 Can Awareness Recommend Any Good Music Around? El How Long WIII the interpre”
• 38% in: “SIC? 7 Can Awareness Recommend Any Good Music Around? El How Long WIII the interpreter be Around? Q Galactic Federation 8. Ga”

Issue 1989-12:

“72% In: Is The Spirit Of Mozart Channeling New Music Through An Italian Peasant?”

To Read This Issue:

• 77% In: Did Mozart Program His Lifetime To Become A Musical Genius?
• 79% In: If Not For Mozart‘s Parents, Would He Have Become A Genius Anyway?
• 88% In: Did Salieri Murder Mozart?
• Page 12: Mozart spirit channeling new music? – more on the information processing universe
• Page 13: Musical genius (Did Mozart programmed his lifetime to become a?)
• Page 13: Value (The importance of exposing kids to things of.) – Mozart example

Excerpts From This Issue On Music

• 7% in: ” Siliriiol l lC Zor tfJ1 nn ! i1 tf New Music ii Tlmrougli an indian Peasant Wornan? 11 . , li How Accurate was Ihe Movie . r”
• 72% in: “ed Astrology and Psychic News regarding Mozart, who many entities are interested in, and it says M0zart s spirit sends telepat”
• 72% in: “honies which experts say are definitely Mozart s. The nticle says From a small town in Italy have come reports of a peasant wo”
• 72% in: “ho can colnrnunicate with the spirit of Mozart. According to sources, the woman, who has no musical training, hears complex me”
• 72% in: “rding to sources, the woman, who has no musical training, hears complex melodies and entire concertos in her head. Her friends “
• 73% in: “elodies report a striking similarity to Mozart s music Yet, Ms. Pagroni claims to have no knowledge of Mozart beyond only his “
• 73% in: “eport a striking similarity to Mozart s music Yet, Ms. Pagroni claims to have no knowledge of Mozart beyond only his most fam”
• 73% in: ” Pagroni claims to have no knowledge of Mozart beyond only his most famous compositions. Musicologists have visited the woman “
• 73% in: “e visited the woman and listened to her music, sources report. From their notations, they have identified the music as being “
• 73% in: “eir notations, they have identified the music as being Mozart s exact style. They have concluded that these are indeed pieces”
• 73% in: “they have identified the music as being Mozart s exact style. They have concluded that these are indeed pieces of music Mozart”
• 73% in: “ncluded that these are indeed pieces of music Mozart could have written had he lived to compose them. Metaphysical experts su”
• 73% in: “d that these are indeed pieces of music Mozart could have written had he lived to compose them. Metaphysical experts suggest a”
• 73% in: “raordinary talent in another world. The musical genius who died a pauper s death is communicating his work to this world throug”
• 73% in: “is work to this world through a type of musical telepathy with the Italian peasant woman. Au unnamed Italian conductor is ready”
• 74% in: “d Italian conductor is readying the new Mozart symphonies for a spectacular introduction later this year. l d like to ask Awar”
• 74% in: “at you must under stand that the entity Mozart as not necessarily the dis incarnated body or spirit that is channeling to this”
• 74% in: “is the energy that was set in motion by Mozart which continues as a kind of infomation processing subset, or subsystem. This A”
• 75% in: “cessing, being perhaps in such a case a musical style, that the musical style, the system, the process, once started, continues”
• 75% in: “n such a case a musical style, that the musical style, the system, the process, once started, continues until something enters “
• 76% in: “This Awareness indicates that likewise, Mozart, in his youth, was not really capable in himself of bring ing this music out of”
• 76% in: “ly capable in himself of bring ing this music out of himself, but he was capable of ! .. . . v .. is. tuning in to the Univer”
• 76% in: “niversal Consciousness, and hearing the music and conveying it through the mechanism of his musical talent, the playing of th”
• 76% in: “nveying it through the mechanism of his musical talent, the playing of the music and the Writing of the music. In other words, “
• 76% in: ” his musical talent, the playing of the music and the Writing of the music. In other words, what he learned to do was to play”
• 76% in: “ing of the music and the Writing of the music. In other words, what he learned to do was to play music and to write music and”
• 76% in: “ords, what he learned to do was to play music and to write music and to channel the music that he heard. This Awareness indic”
• 76% in: “ed to do was to play music and to write music and to channel the music that he heard. This Awareness indicates in the case of”
• 76% in: “c and to write music and to channel the music that he heard. This Awareness indicates in the case of this peasant woman, she “
• 76% in: “n, she is not able to play or write the music, but is able to hear and hum the tunes, so that others who can write and play m”
• 77% in: “rs who can write and play may bring the music to this plane. DID MOZART PROGRAM HIS LIFETIME TO BECOME A MUSICAL GENIUS? 1foi”
• 77% in: ” may bring the music to this plane. DID MOZART PROGRAM HIS LIFETIME TO BECOME A MUSICAL GENIUS? 1foi.L.ow u QUESTION Before a “
• 77% in: “MOZART PROGRAM HIS LIFETIME TO BECOME A MUSICAL GENIUS? 1foi.L.ow u QUESTION Before a musical genius such as Mozart comes down “
• 77% in: “L GENIUS? 1foi.L.ow u QUESTION Before a musical genius such as Mozart comes down to this pine to produce his nomic, does he pro”
• 77% in: “UESTION Before a musical genius such as Mozart comes down to this pine to produce his nomic, does he program himself in some m”
• 77% in: “is Universal Consciousness, to hear the music that most people do not hear? COSMIC AWARENESS This Awareness indicates the ent”
• 77% in: “the entity did not some to produce this music the entity came and was taught by his parents to play at a very young age and w”
• 77% in: “y young age and was taught how to write music The entity was sensitive and open enough to music that the playing and the writ”
• 77% in: “entity was sensitive and open enough to music that the playing and the writing developed within him a love for music which th”
• 77% in: “writing developed within him a love for music which then influenced the en1 ity s sensitivity toward music, which allowed him”
• 77% in: “uenced the en1 ity s sensitivity toward music, which allowed him to tap in to that which was available in the Universal Consc”
• 78% in: “wessarily that the entity came to write music. Phe entity came to experience Life and ended up writing music. This Awareness “
• 78% in: “to experience Life and ended up writing music. This Awareness indicates likewise, there are many entities who come on to this”
• 78% in: “y throughout their lifetime. IF NOT FOR MOZART S PARENTS, WOULD HE BECOME A GENIUS ANYWAY? THE IMPORTANCE OF EXPOSING KIDS TO “
• 79% in: “NGS OF VALUE Follow Up Question Had not Mozart s parents got him interested in music at such an early age, like 1 or 2, I beli”
• 79% in: ” Mozart s parents got him interested in music at such an early age, like 1 or 2, I believe it was what would the odds be that”
• 79% in: “as he grew up later, that he would be a musical genius? In other words, is the musical genius and geniuses in other areas mainl”
• 79% in: ” musical genius? In other words, is the musical genius and geniuses in other areas mainly dependent on the parents or exposure “
• 79% in: “e at a very young age to something like music which he gets excited about and decidm to make his life profession of it? COSMI”
• 79% in: “s indicates that it was the exposure to music at a very young age that allowed this entity to become the genius he was. The e”
• 79% in: “but had this entity not been exposed to music had the entity been born on a farm in which cattle and sheep were the focus of “
• 80% in: ” not likely to have developed much of a musical skill or talent, unless someone somehow just presented a piano for the entity t”
• 80% in: ” which might have led to some degree of musical interest This Awareness indicates that had the entity been given a job shining “
• 80% in: “ano, there would not have been a famous Mozart. This Awareness indicates that any child at a young age who is taught something”
• 80% in: “ung age, he it computer use or piano or musical skills, any child at a Young age is going to become proficient, and if the enti”
• 84% in: “etitive Children who are taught to make music, to entertain, to produce something of a constructive nature, tend to grow up b”
• 85% in: “otherwise modify the character. 14. Was Mozart s1ife really as it was in the movie?, that he was a genius tormented by his fat”
• 85% in: “who caused the circumstances that drove Mozart to his death? The court composer seemed a vry devious cllaracter. What of his l”
• 86% in: “ng however, followed after the death of Mozart when he became more and more aware that his action did not release the satisfac”
• 86% in: “entity was jealous that God had favored Mozart, and sought to defy God by destroying Mozart, but in fact, only shut himself ou”
• 86% in: “t, and sought to defy God by destroying Mozart, but in fact, only shut himself out further from the grace of God, while Mozart”
• 86% in: “r from the grace of God, while Mozartfs music continued to tlirive and live, even beyond his expectations. a r z ED s Note fo”
• 86% in: “for more infomation on Wolfgang Amadeus Mozart my favorite composer , please refer to Revelations of Awareness issues 8543 Mad”
• 86% in: “ions of Awareness issues 8543 Mad About Music From Amadeus to the Beatles 88 1 The Musical Genius How They Do It both 3.00 Ho”
• 86% in: “ic From Amadeus to the Beatles 88 1 The Musical Genius How They Do It both 3.00 Horn C.A.C. Tl WISDOM OF AWARENESS 1 On the Awa”
• 88% in: “ESTION if While we re on the subject of Mozart, a number of f . … people have, over the years, sent in essentially the QM sa”
• 88% in: “s for Awareness con cerning the life of Mozart. I just saw the movie Amadeus, about Mozart s1iEe. It was a well done entertain”
• 88% in: “rt. I just saw the movie Amadeus, about Mozart s1iEe. It was a well done entertaining REvE ,mU 5 DF AWARENESS i, a n5rn .. ,,.”
• 89% in: “helped me to also appreciate class ical music. Does it truly express the infinite quality of man as mentioned in the movie? D”
• 89% in: “e lives of the mythical gods, I wonder. Mozart s music was apparently rather up beat for the time and may not apply to this qu”
• 89% in: “f the mythical gods, I wonder. Mozart s music was apparently rather up beat for the time and may not apply to this question. “

[ Go To Next Page Of Music Search Results... ]