“Inspire” – Cosmic Awareness Communications Search Results


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Issue 1996-05:

“8% In: What ‘Inspiration‘ Really Is”

  • 10% In: Do ‘Spirits’ Inspire Composers?
  • 14% In: Don’t Try To Analyze Your Inspiration

Excerpts From This Issue On Inspire

  • 2% in: “articular lield or area of art, but the inspiration comes rom a higher source, and it may take that knowledge the entity has and pu”
  • 2% in: ” entity has and push it into an area of inspiration that is beyond the indivtdua1 s own personal knowledge. This Awareness indicate”
  • 6% in: “in that? cosivnc Awaiunvess This is the inspiration that comes from the inner being of an entity which is added on top of the music”
  • 6% in: “reas, and therefore are not open to the inspiration. what Inspiration Really Is This Awareness indicates that the word f inspiratio”
  • 6% in: “e are not open to the inspiration. what Inspiration Really Is This Awareness indicates that the word f inspiration means inner brea”
  • 6% in: “his Awareness indicates that the word f inspiration means inner breath and it relates to inner breath or spirit or inner life con t”
  • 6% in: “es that it is difficu t to explain what inspiration is from a logical sense, but it is what makes a child jurn for Loy it is what m”
  • 7% in: “he cntity s interest is music, then the inspiration would channel t rough that field of Hnowledgle which the entity has developed. “
  • 7% in: “nowled e inthe field, then the entity s inspiration might movie so strong or so well defined. This Awareness indicates that some en”
  • 7% in: “icates that some entities take the same inspiration and channel it into poetry or into wrtttng or into performance of singing rat e”
  • 7% in: “mposing music. This Awareness indicates inspiration is an extremely important aspect of any art form. Without it, there is very lit”
  • 7% in: “d trained in mechanics, but without the inspiration, the work is seldom notable or memingful that inspiration is like the enthusias”
  • 7% in: “ork is seldom notable or memingful that inspiration is like the enthusiasm that rs seeking to be expressed through the entity in th”
  • 8% in: “gh an entity, through the enthusiasm or inspiration can be lost if an entity oes not have enough training to know what to do with t”
  • 8% in: “rd of it, and therefore it is lost. The inspiration comes, the inspiration creates, but the recording of the song is missing, and n”
  • 8% in: ” it is lost. The inspiration comes, the inspiration creates, but the recording of the song is missing, and no one knows how to make”
  • 9% in: “mmagle, or singable vocally. DO SPIRITS INSPIRE COMPOSERS? rrornow or t QUESTION Then there is the notion, particularly in the “
  • 9% in: “ans, snclithey impart this as a form of inspiration intohtlip minds oft e composer. Is there any truth at all to I Elf. COSMIC AWAR”
  • 10% in: ” the inspi ation is a kind of emotional inspiration and that the spirit sending the message is inspiring the entity with sounds or “
  • 10% in: “me training, then the spirit may simply inspire by giving proper emotional inspiration and the entity, the artist, can take tha”
  • 10% in: “mply inspire by giving proper emotional inspiration and the entity, the artist, can take that emotional inspiration and be creative”
  • 10% in: “ty, the artist, can take that emotional inspiration and be creative with it so that there is some inner creativity on the part of t”
  • 12% in: “g in harmony until there is some kind o inspiration that becomes t e focal point and the driving force behind the writing, at which”
  • 12% in: “n inspired from within by some personal inspiration or spiritual inspiration, and if a spirit is inspiring the entity, then it may “
  • 12% in: ” some personal inspiration or spiritual inspiration, and if a spirit is inspiring the entity, then it may express itself in a kind “
  • 12% in: “and complete. Don t Try to Analyze Your Inspiration lfthc entity attempts to analyze what is happenin at the time, he or she could “
  • 13% in: “he could break the gestalt and lose Sie inspiration. That i n other words, an entity experiencin a total gestalt, wherein all thing”
  • 15% in: “the sport. This Awareness indicates the inspiration comes when the entities have finalized all the technology needed and no longer “
  • 15% in: “d with pleasure and with enthusiasm and inspiration. The same can be said for driving a car. It is all a rnatter of developing your”
  • 16% in: “cates that an entity may also have some inspiration due to a new discovery or one invention that makes possible another invention. “
  • 28% in: “1 CrcI One last question in the area of inspiration. You often hear of the starving artist syndrome, and when I was doing most of m”
  • 28% in: “doing most of my music writing. my best inspiration came from emotional crisis or emotional parn, sorne thing that brought out an e”
  • 29% in: “ssion and the expression may trigger an inspiration that would appeal to the sympa thies or the understanding of the masses. There “
  • 37% in: “create greater dlsturbance than j my or inspiration for you want joy, you want inspiration frgnn music land there rs little found a”
  • 37% in: ” inspiration for you want joy, you want inspiration frgnn music land there rs little found an these new artists and their music. Th”
  • 37% in: “y Didn t Write Their Music 2 Dm Spirits Inspire Composers? 3 Ave Great Ideas Just Floatlrlg In Consciousness? 4 When Vlkkl T. a”

Issue 1997-08:

“79% In: How Much Of “Inspiration” Is Influenced By Outside Guides?”

Excerpts From This Issue On Inspire

  • 79% in: “n Entities Assist Humans 17 How Much of Inspiration Is Influenced by Guldes F 17 How to Establish at Sphere ol lnlluence 18 The Kar”
  • 83% in: “f USl1CEC by Outside Guides? Where Does Inspiration Come from? QUESTION! How much of what one would call inspiration is inflqenccd “
  • 83% in: “ESTION! How much of what one would call inspiration is inflqenccd by outside entities and in fact, where does inspiration come from”
  • 83% in: “utside entities and in fact, where does inspiration come from? COSMIC J WARE.N ESS1 This Awareness indicates that the word itself d”
  • 83% in: “es to breath or breathing. To expire or inspire relates to the act of hrcmhing. In other words the breathin o vitality and life”
  • 83% in: “pward. This Awareness indicates that an inspiration comes from looking LO higher spiritual energies or for higher spiritua1directio”
  • 83% in: “tion This Awareness indicates that this inspiration essentially is that which comes to entities when they open themselves to a more”
  • 84% in: “to accomplish. Even an Entity s Pei Can Inspire the Entity They are inspired by the person to do so, The insp iration ean also “
  • 84% in: “n from a beloved pet. A beloved get can inspire an entity. A flower, a scene, a rerriem ranee there are many things that can in”
  • 84% in: “em ranee there are many things that can inspire entities a movie, a gieee of music, a piece of art all of these things that tou”

Issue 1998-06:

“34% In: What Makes A “Driven Person” Driven? (On Self-Motivation) 8″

Excerpts From This Issue On Inspire

  • 28% in: “o that quiet, to that state wherein the motivation for all these movements is examined carefully and moves to that time when separ”
  • 34% in: “Sometirnes I tfeel very close to divine inspiration, but most ofthe time I feel that the harder I try, the further away from God I “

Issue 1983-05:

“76% In: Cosmic Awareness Goes To The Movies: Did God Inspire Sylvester Sta”

Excerpts From This Issue On Inspire

  • 61% in: “and which then gives them the time, the inspiration and energy to work on other areas. HM HIj s Note for more inforrnatlon cn Wande”
  • 75% in: “miess goes to the lilcwioa .. . DID GOI INSPIRE SYI..VE5 l ER S l AL,L.0NIE l 0 CHANNEL THE 3 ROCKY MOViEk ? roar. io, 1932 QUE”
  • 82% in: “t straps and could, through efforts and inspiration, maintain a certain Ievel that is higher than that which he thought he could do”
  • 86% in: “s over, it is during that time when the inspiration begins to flow. This Awareness suggests that at such times, entities should he “

Issue 1987-05:

“11% In: Sleep: How To Get It Together”

Excerpts From This Issue On Inspire

  • 95% in: “w of Gratitude, il following the Law of Motivation, il wherein the motivation is the means , l and the end, may discover that the “
  • 95% in: “g the Law of Motivation, il wherein the motivation is the means , l and the end, may discover that the l Law of Gratitude returnin”

Issue 1981-25:

“46% In: Forbidden Fruit: The Motivation For Incest: Paying Off Father”

Excerpts From This Issue On Inspire

  • 29% in: “destined to remain a failure until such motivation as strikes the entity to pick up his cup and move on up the road toward success”
  • 51% in: “ehavior must look not only at their own motivation, at their own feelings of inadequacy, at their own values and concepts relating”

Issue 1998-04:

“65% In: The Motivation Is Sexual Dominance”

Excerpts From This Issue On Inspire

  • 61% in: “reason the basic hedonic princi lc, the motivation of approach and avoidance has liost its valid spiritual respect, is due to the “
  • 64% in: “s bascclupon the approach and avoidance motivation. This Awareness suggests that when the mind is not apprised of the message. the”
  • 65% in: “itually tillfilliing and rewarding. The Motivation In Sexual Dominance This Awareness suggests that in a specific example of Sexua”

Special Report 11:

“99% In: Special Report, Featured Issue: The Cosmic Laws Of Cosmic Awareness (Updated)”

Excerpts From This Issue On Inspire

  • 86% in: ” appearance of chaos. p p h2 The Law Of Motivation h2 p This Awareness indicates that entities following the Law Of Gratitude, fol”
  • 86% in: ” Law Of Gratitude, following the Law Of Motivation, wherein the motivation is the means and the end, may discover the Law Of Grati”
  • 86% in: “wing the Law Of Motivation, wherein the motivation is the means and the end, may discover the Law Of Gratitude returning more quic”

Issue 1985-02:

“3% In: The Nature Of Youth: Dealing With All The Pains; The Cosmic Awaren”

Excerpts From This Issue On Inspire

  • 15% in: “she risks very little herself she isthe inspiration, but she does not take on the responsibility for the action? nor receive the pu”
  • 22% in: ” motlvates entities into action and the motivation leads to a goal which is set as a solu tion to the pain, whereby the pain will “
  • 22% in: “esolved upon reaching the goal, and the motivation or movement is tll action that leads to the goal 7 Thus, a motivation for these”
  • 22% in: “action that leads to the goal 7 Thus, a motivation for these young people, based upon a pain is that which causes them to act in a”
  • 23% in: “ntities already have sufficient pain as motivation, and it is therefore not necess ary to inflict or cause further pain to motivat”
  • 24% in: ” goal toyvaxd which the energies of the motivation may move this goal being that which parallels the intent and needs of society. “
  • 25% in: “lows the expression of the motives, the motivation, the movement, the action of these entities so that their pain can be expressed”
  • 27% in: “t, from a disturb ance. Ambition is but motivation directed toward a goal, and if the motivation is strong, if the ambition is str”
  • 27% in: “tion directed toward a goal, and if the motivation is strong, if the ambition is strong, it indicates that the pain which caused t”
  • 27% in: “, the greater will be the momentum, the motivation, the ambition to reach a goal that entities who have goals based on fantasy exh”
  • 27% in: “o have goals based on fantasy exhibit a motivation that accompanies a feeling of inadequacy. Entities whose goals are based on rea”

Issue 1996-07:

“0% In: The Psychology Of Homosexuality (Part 2)”

Excerpts From This Issue On Inspire

  • 32% in: “so be lu st, revenge, or other types of motivation. I Was Born This Way. I Can t Help it! FOLLOW UP Q L es 11oN One of the most fr”
  • 52% in: “ncss, and in their loneliness they find motivation that drives them to seek to comnmmcate to all of con sciousness and their creat”
  • 56% in: “e you are, the less creative impetus or inspiration there is. cosine Awareness This is so. QU E5 I. ION coN nN .u D Is there anothe”
  • 57% in: ” E5 I. ION coN nN .u D Is there another inspiration that activates the creative spark that can kick in despite being in pain? comic”
  • 57% in: “y disrupting all enjoyment of life, the motivation is often too much to bear and the entity may seek to cscagcaltlie relationslnp “
  • 58% in: “s suggests that if you do not want your motivation to come from pain, the only other motivating factor is desire. These are the tw”
  • 58% in: “ou to do something about it. Thus, your motivation is either pain or desire. Desire Requires o Vision of What You Want This Awaren”
  • 60% in: “ndicates that this entity was driven by motivation of desire and a goal. All desires of course are focused on a goal. Therefore, w”

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