Issue 1999-06:

“0% In: Join Use In An Experiment In Creative Reality”

To Read This Issue:

• 3% In: A Mass Creative Healing Session For Christopher Reeve
• 26% In: A Creative Visualization Program Will Bring Results

Excerpts From This Issue On Creativity

• 0% in: “h your help Join us in an Experiment in Creative Reality .H How Does Prayer Work? The new way that gets faster and better result”
• 0% in: “u! CAC General Reading AN EXPERIMENT IN CREATIVE REALITY f How You Can Help Superman Walk Againl This Awareness suggests now, a “
• 1% in: “nity to participate in an experiment in creative reality. This Awareness suggests that such an experiment can facilitate the mov”
• 1% in: “pts as ernpowernient, enlightenment and creative reality and individual and niass manipulation of probable courses. It can provi”
• 1% in: “m that a mass experiment in healing and creative visualieatton cart be beneficial, not only to emphasize and impart certain key “
• 3% in: “ery creation of physical events. A Mass Creative Healing Session for Christopher Fleave This Awareness suggests that List such c”
• 3% in: “uch changes can be facilities bg a mass creative heaiing scssiondirected at the entity hristo her Reeve. The organization can de”
• 3% in: “n any probable combination, to spurring creative inspirations in those medical heaters currently seekin answers to uestions of n”
• 7% in: “ion of physical need to experiment with creative manipulation such as this is conmiendzibie, ang! such an opportunity is indeed “
• 7% in: “nvited to participate in the meditative creative healing process, can also utilize belief struc tures based upon rhe power of pr”
• 7% in: “ithin. This can plant the seed that the creative power does indeed he both within and without, that the lmman link is essential “
• 9% in: “elf em owerment, the abilities of mind, creative reality, eniightenment, and the true human potential for nlanlipulatinginatter,”
• 12% in: ” power of pr a er is that descrilled as creative reality, wherein tllle individual application of Will Energy through the constr”
• 14% in: “tious, an the most effective prayers or creative realities are achieved by those w ose belief structures of mind hold no cont ic”
• 14% in: “ot gghz empow ered byfeellng is ftselfa creative prayer an shall participate in altering probable courses, eneriizinii those whi”
• 19% in: “ing the beach and that such concepts as creative manipulation of Will Ener y and tlie empowerment that entities rightly deserve “
• 21% in: ” that as entities ei geriinent with the creative visua ization, that they are irected and advised to pay particular attention to”
• 23% in: “ergy and that such is the nature of the creative mind, and t ietpotentlal free will, wherein entities are designed to ijnanl est”
• 23% in: “tanding the power of human mind and its creative potential, that belief structures of mental Judgirments based upon unexamined e”
• 25% in: “ies who manage any degree of success in creative visualization are sur mounting much indeed. This Awareness sug ests that at the”
• 26% in: “iifect. This works not only through the creative manifestation system of attracting probabilities, but also ol the attrition, th”
• 26% in: “sons of Enllghtenrrint. page 116. Ed. A Creative Visuatlzatlon Program will Bring Results This Awareness suggests that entities “
• 26% in: “vigorously and aggressiveli set about a creative visualization program, who c pose a 5?J C1i 1C time of day and partake religiou”
• 26% in: ” e belief structures ri g . 1rding ne s creative ability and the relative efficacy 0 t e mn soape. Results Can be Obtained In Ap”
• 30% in: “ace 60 5 20 99 7 structures in terms of creative visualization processes that invoke a positive emotion are suitable and accgpt “
• 31% in: “caipe of this ept1ty, and that although creative selection an mampulatlon of pro J ability and prayer. so to speak, goes on from”
• 34% in: “nd external forces, that it is the some creative, expressive, spiritual force, although misdtrected, bouncing off severely limit”
• 41% in: ” pleasures of connectionand meaning and creative interaction rather than the pains of want and tear and struggles for basic powe”
• 57% in: ” 0T.l 1ers, there were times when being creative and artistic was the most importanpthing, an entity could do. For others, at ot”
• 59% in: “rrow minded censors who are stifling my creativity? Cosmo i LWiklL L! l F.SS , This Awareness suggests that you may begfn your let”
• 99% in: “orce and imagine him welcoming its full creative and healing force. See him regain his normal physical functioning, and quickly “

Issue 1977-07:

“39% In: The Nature Of The Creative Process“

To Read This Issue:

• Page 6: Creative process (The Nature of the)
• Page 7: Creative process to be complete – (analogy) – study and release from study
• Page 7: Inventive process involves thinking – synonymous with energizing

Excerpts From This Issue On Creativity

• 2% in: “Awareness a li a href The Nature Of The Creative Process The Nature Of The Creative Process a li a href Some Alternative Ways To Do Busi”
• 2% in: ” The Creative Process The Nature Of The Creative Process a li a href Some Alternative Ways To Do Business One Purpose For The Formation “
• 41% in: “st lose. p p p a name The Nature Of The Creative Process a h2 The Nature Of The Creative Process h2 p p p b Question b What is holding m”
• 41% in: “Creative Process a h2 The Nature Of The Creative Process h2 p p p b Question b What is holding me back from proceeding to meditate, thin”
• 42% in: “think, and bring forth my inventive and creative ideas onto paper, and into practical actuality into the physical world, where p”
• 46% in: “hes you to understand the nature of the inventive process is such that when the mind is thinking, it is energizing. p When the mind is an”
• 47% in: “to understand this as the nature of the creative process, and in understanding this, you may also understand that there can be no creati”
• 47% in: “ay also understand that there can be no creative or inventive, action, no form of magic or magical insight until you let go of t”
• 48% in: “udy. p These are necessary parts of the creative process even as night and day, awakening and sleeping states are necessary to your own “

Issue 2002-08:

“60% In: The Creative Use Of Kundalini Energy”

To Read This Issue:

• 61% In: Creativity And The Sexual Connection
• 84% In: Aging Does Not Diminish Creativity

Excerpts From This Issue On Creativity

• 59% in: “, but there is a slmng sm 1ilar1ty. The Creative Use of Kundulini Energy Fl l.l.U f UI QUESTION These energies, .l ve read, and “
• 60% in: ” be divcrlmed, when you raise them into creative efforts, like fm example, a writer who is writing a novel or S01 I l C liI g an”
• 60% in: “e those energies after raising them m a creative process like writing or composing music? COSMIC AWARENESS This is in the affirmative. T”
• 60% in: “order to stimulate Kundalini energy For creative purposes. It is much better that entitles simsgly put on some good music ihal g”
• 61% in: “can he more l1a.1 111iEu than helpf ul. Creativity and the Sexual Connection This Awareness indicates this of course is I1 differe”
• 61% in: “rse is I1 different topiq, dealing with creativity. Creativity requires that entities focus very hmlvy strong energies mwarcl a pu”
• 61% in: “fferent topiq, dealing with creativity. Creativity requires that entities focus very hmlvy strong energies mwarcl a purpose or goa”
• 61% in: ” have encouluered in their effort lowar creative work. This Awareness indicates that tlierefore, in many instances, the hard wor”
• 62% in: “parallel between the sexual acl and the creative acl of an artist, which, when under stood, rnuy help the artist to do his or he”
• 62% in: “, rnuy help the artist to do his or her creativity in a more rational and undemtundable way. It is Lhc Kundalini moving into the b”
• 62% in: “us breaks, the pntlty gives up, and the creative answers come f io0d1ng ln. How Many Great Inventions and Dlacovarles Occurred S”
• 62% in: ” mgted that the pczgzce of IT il 1Q fpr creative work does not yleld the same kind of CTCGIIVFIY, 11 there is no struggle betbre”
• 63% in: ” l i . l 1 l g,. ang tgls desire alqild creative e fort continues to frow. an t c entity bil 5 more and more focus towarg that g”
• 63% in: “stic problem, t e inventive pro cm, the creative Emblem but somewhere it becomg s c1ear. The entity s ra in seems to open 11p am”
• 63% in: “and the entity then can continue on the creative path, whcyein before, hp or she may have been stuck. Thus, there IS ex metaphon”
• 63% in: “uily l C Wt 3 E1 the sexual act and the creative act. In both cases, Kundalini energy is active the one chan neled in one direct”
• 64% in: “her direction. Aging does Not Dirninish Creativity FU IJ.0 lJPQUl . i1 ION I Some of the greatest books, musical co1 nposil ions a”
• 64% in: “energy goes upwards more readily toward creative puqaoscs rather than going into sexul expres sxon. WHY HAS THE SPERM COUNT IN M”
• 84% in: “e Doing Tantra Get Eloctrocuted? 12 The Creative Use of Kundullnl Energy 13 Aging Does Not Diminish Creativity 13 Why Hoo the Sp”
• 84% in: “ullnl Energy 13 Aging Does Not Diminish Creativity 13 Why Hoo the Sperm Count In Mc in Dropped Soto? 13 Saltpotor In Cotlee ls Sta”
• 94% in: “me more and more aware o how simple and creative and empowered they are, simply by recognizing that such belief structures rule “

Issue 1996-05:

“29% In: How Emotions Affect Creativity“

To Read This Issue:

Excerpts From This Issue On Creativity

• 2% in: “his Awareness indicates that there is a creative process that allows entities to have a certain amount of understanding of a fparticular”
• 4% in: “he technolopy of music and get into the creative feeling that he or s ie wishes to convey, the entity is not a truly great corn “
• 8% in: “head. This Awareness indicates that the creativity that flows through an entity, through the enthusiasm or inspiration can be lost”
• 10% in: ” take that emotional inspiration and be creative with it so that there is some inner creativity on the part of the artist and it”
• 10% in: “ive with it so that there is some inner creativity on the part of the artist and it is not purely a channeling from spirit. Books “
• 12% in: “owledge. now begin to synthesize into a creative expression inspired from within by some personal inspiration or spiritual inspi”
• 15% in: “EAS JUST FLOATING IN CONSCIOUSNESS? How Creativity and lnventlveness Works QUESTION Some years back I believe I asked Awareness a “
• 20% in: “ny benefit that might occur in terms of creativity. This Awareness indicates that adding, subtracting, multiplying and dividing an”
• 20% in: “ng and accidents can all be part of the creative mind. Multiplying, for example, you might have some kind of instrument that sli”
• 20% in: “ndicates that there are many ways to be creative. You can also take sometliirlg that was created for onepurphose and apply it to”
• 21% in: “nging of applications is a Way of being creative. This Awareness indicates by changing the application ofa tool, you may have to”
• 21% in: “ing all o t ese can also be part of the creative process, the inventive game. As entities learn to practice these things they will becom”
• 21% in: “tice these things they will become more creative and more inventive. t cannot be done without increasing your creativity. Before”
• 21% in: ” cannot be done without increasing your creativity. Before long it becomes a way of thinking, and before long, you find yourself i”
• 22% in: “hing else, and, there is money in being creative. Who Originated the Idea in the First Place? Question This notion that all of t”
• 25% in: “is Awareness has de scribed in terms of creative ways of thinking adding, subtracting, or dividing, analyzing, synthesizing, tur”
• 25% in: “observing accidents or mistakes for any creative benefit all o these thindgs are part of the creative mind and can be develope b”
• 25% in: “fit all o these thindgs are part of the creative mind and can be develope by anyone to make them more creative. Mix the small wi”
• 25% in: “be develope by anyone to make them more creative. Mix the small with the large or make the small large or make the large small, “
• 25% in: ” large small, There are many ways to be creative and come u with new things. fthe mind is used to these tools of creativity, the”
• 25% in: “gs. fthe mind is used to these tools of creativity, then it is likely to become much more creative than if it has not been shown w”
• 25% in: “, then it is likely to become much more creative than if it has not been shown ways of being creative. This Awareness indicates “
• 25% in: ” if it has not been shown ways of being creative. This Awareness indicates for example, to make something more fluid when it is “
• 26% in: “ee even recise re licas of each other s creative invention. Nafnrmally, the one who first produces it in a public sense or in te”
• 89% in: “ishing competition and moving toward co creative actions. This Awareness indicates that when this occurs entities will come into”

Issue 1996-07:

“53% In: Through Creativity The Separateness Begins To Break Down”

To Read This Issue:

• 57% In: Can The Creative Spark Be Activated Without Pain?

Excerpts From This Issue On Creativity

• 52% in: “cate to all of con sciousness and their creative art ofren is the only avenue by which they can or do communicate with the rest “
• 52% in: “Down This Awareness indicates that this creativity is allowing them to have a sense of communication, a breakthrough from their wa”
• 55% in: “to her, whether it be a fannly, or some creative c ort on her part, but her role is to nurture those things that she dedicates h”
• 56% in: “s the New Being asserts itself. CAN THE CREATIVE SPARK BE ACTIVATED WITHOUT PAIN? More on How the Visionary Force Works I FOLLOW”
• 56% in: ” to frustration and suffering as in the creative drive, it seems the more content and comfortable you are, the less creative imp”
• 56% in: “ntent and comfortable you are, the less creative impetus or inspiration there is. cosine Awareness This is so. QU E5 I. ION coN “
• 57% in: ” another inspiration that activates the creative spark that can kick in despite being in pain? comic Awitnrm ss This Awareness i”
• 64% in: ” F.RI m wondering if there will be more creative inspira tions without such emotional ups and dow ns ? COSNUC z AREN ESSI This A”

Issue 1998-10:

“68% In: Is Success And Talent This Lifetime A Carry-Over From Previous Lifetimes? (How To Become More Creative In The Arts)”

To Read This Issue:

Excerpts From This Issue On Creativity

• 7% in: “d or habitual thought processes or from creative imagination, This Awareness suggests that the secondary class of thought is tha”
• 10% in: “ififercnt widely diversified and highly creative mental realities which create corresporiding pliysical everirs to match them, a”
• 18% in: ” find maximum fulfillment with artistic creativity, for example, might manifest within a specific cornrnunit which l acili tates s”
• 18% in: “ideologies which lend to these specific creative expressions, whereas an alternate comrnunity which focuses most intensely on th”
• 20% in: ” to design a st le ofliving as Wild and creative and unexpected within t e given restrictions. and to slowly hut sureiiy break d”
• 21% in: “e is for each mclividual LU rnake their creative contribution, not to acquiesce to the leadership 0ii 1l lU hE1 . For the wisdom”
• 26% in: “cular film production. As always, human creative artistic ex ression wluch rei lect the stirring of the consciousness o? the tim”
• 33% in: “ithin their culture and such frustrated creative energies is directed at them instead, and they in turn are disal lowed certain “
• 36% in: “ed liberating successes in the realm of creative expression where enercies were bacltloggtfd, previously creating frustration an”
• 47% in: “ant, joryful, spontaneous and rewarding creative experience. his Awareness suggests that although progress has been made toward “
• 50% in: “rld views pleasing and facilitatilig to creative experience and expression, and entities shall choose, that levels of diversity,”
• 59% in: ” simply discard God or the concept of a Creative Force that led to the hrrther effects which are known as the material universe “
• 71% in: “king about music and coui d become uite creative by mingling the two tields of study together. This Awareness indicates it is th”
• 71% in: “mething that makes the person extremely creative. lmagine, for example, that not only is the person interested tn psychology and”
• 72% in: “llds, can help the erson to become more creative, and the creativity is tihat which allows an entity to be unique and to have so”
• 72% in: ” erson to become more creative, and the creativity is tihat which allows an entity to be unique and to have something of great val”

Issue 1998-04:

“0% In: Cosmic Awareness Is Now Requesting Your Personal Questions”

To Read This Issue:

Excerpts From This Issue On Creativity

• 4% in: ” that ifan entity wishes to become more creative and intellectual and more able to communicate and negotiate things, you do not “
• 4% in: ” can be benel ict al to nc gotiating or creative work, or other similar activi ties at require a relaxed state nt mind. This Awa”
• 50% in: “1nc v du al empowerment and e potential creativity to manifest desired realitv. Tlomciding with this impetus existed his s ecific “
• 51% in: “ut can restore the power and conrrolero creative cajoehilngs tlfat are thciftulnen Divine lgght. If We have completion, we can c”
• 52% in: ” this rewordin refocuses the energy and creative power back wighin the individual where it rightfully belons. This Awareness sng”
• 52% in: “giecific mental shifts re g ztrchng the creative process wit 1 the breaking down o belief structures, which for eons have existe as trut”
• 53% in: “at facilitate the Tirit and restore the creative ponjer that is allowe to flow through these devastating 1Ilf6fI l1 Cl1tlI belie”
• 53% in: “trol to the reality and validity of the creative ca acity of the individual mind and tie understanding oi? the collection of ind”
• 54% in: “to more accurately provide its powerful creative service. If we have cotnpletion, We can continue. Incredible Things Occurring i”
• 59% in: ” particular i ft and you allow you more creative control designing t e events and experiences you wish to experlence in your lif”
• 63% in: “om the intention of spirit and that the creativity of mind attracts and creates events which reflect the contents of mind, both go”
• 68% in: “sumption that imagination is not highly creative. This Awareness suggests that you received your answer quite loudly and clearly”
• 68% in: ” This Awareness suggests that that this creative ven ture of rnanifesting energy from the sun to compensate CAC General Reading “
• 68% in: “r energy draixw. es was a wonderful and creative way to respond to the I iI 1i upon its urgmg for you to determine your own spir”
• 70% in: “nded in ever increasin .ll llE I G aqad creative ways, imiuzd only by the individua amagmatxcm. This Awareness suggests that the”
• 71% in: ” spirit, to l t3SlOl i3 thc expanse and creative icJy0u experience that is aligned with Universal ntenllon. On a Cellular Level “
• 71% in: “ssion at a cellular level, and that the creative impetus Lo make the world a better place IS rewarding to spirit. This Awareness”
• 72% in: “can mark the beginning of the expansive creative existence lhaa humans are intended to ex erience, and the tumabour, and in a se”
• 81% in: “ructures which elirninate any room fF r creativity or a void, wherein to define that which is desired, so the creative capacities “
• 81% in: “to define that which is desired, so the creative capacities of mind manifest experiences aligned with the contents and bellel st”
• 82% in: “ties begin to experiment with their own creative capacity by defining those items in the varying realms of existence using the M”
• 83% in: “at entities. once becoming aware of the creative ca acity within them, are not likely to use it on a selciionf basis, for it is “
• 83% in: ” heightened levels of understanding and creative manifestation through manipulation of these energies based upon belief and inte”
• 84% in: “deemed to provide a blissful and joyous creative experience, pleasing and fulfilling to the ever expanding conscious ness oi All”
• 92% in: “rovider through which enlig tenmenl ind creative corrective actions shall result, This Awareness suggests that entities are not “
• 97% in: “ficiency and expedrency invo ved in the creative accomplishments available to systems presently. This Awareness suggests that th”

Issue 2002-10:

“50% In: Edgar Cayce‘s “Creative Forces”

To Read This Issue:

Excerpts From This Issue On Creativity

• 35% in: “iversal Consciousness? 11 Edgar Caycevs Creative Forces 11 Personal Power and Sorcery of Cas1anade s Don Juan 11 What Ara Those “
• 51% in: “mce or vibration existed. Edgar Cayce s Creative Forces 0l .l.. JW LII QU S 1 Jl i IISIIUI He had aa couple ol follow up questio”
• 51% in: ” questions. Edgar Cayce uses the phrase Creative Forces. Is this identification also pe rsnissib1e ? COSMIF QW ?.RENESS Tlns rs “
• 51% in: “ll lI 3552 This Awareness indicates the Creative Forces are any forces throughout the whole Spt3Cl l l.1lTl of consciousness tha”
• 51% in: “r alters or changes something, there is creativity. Therefore, the very action of movement, even of the most miniscule movemerit, “
• 51% in: “vemerit, in terms of conscious ness, is Creative Force. This Awareness indicates that in the greater levels of Creative Force or”
• 51% in: “indicates that in the greater levels of Creative Force or in the more subtle levels of Creative l oree, all are subject to and d”
• 51% in: “e Force or in the more subtle levels of Creative l oree, all are subject to and defined by movement. The movement of consciousne”
• 52% in: “movement of consciousness is key to any Creative l1 11 ce I he ver acl ofehanging one o rn1nd or of moving one s cor 1seiougs ne”
• 77% in: “tesmtetioits, children with prodiigious creative talents, children in touch with angels, chi dren with mobile frequencies of ide”
• 82% in: “ig, attempts to nw en Itumautity to the creative power oftte mind, the will ener y, and to realize how each person s beliefs hel”
• 83% in: “ll lille experiences have rneanirrg and creative validity and that even painful mistakes an suffering is part ofthe ourntE y to “
• 84% in: ” ourntE y to understand how to use ones creative power. If a clnl says we are all angels know that she resonates with universal “

Issue 1998-14:

“39% In: Adults Need To Become More Creative“

To Read This Issue:

Excerpts From This Issue On Creativity

• 38% in: ” s of activitiesgfhe child is extremely creative and discovers things. Adults lose that creativity because the experts tell them”
• 38% in: ” and discovers things. Adults lose that creativity because the experts tell them how to do it, what to do with it, and not to do a”
• 39% in: “for drawing. Adults Need to Become More Creative This Awareness indicates that this kind of thinkin hinders entities as they bec”
• 39% in: ” you f fotn being inventive, from being creative. You cannot unscrew the screw because your screwdriver is in your car and your “
• 39% in: ” of so rigid. It is important to become creative, to use a substitute. You have no hammer, but there is the old crowbar. and it “
• 40% in: ” areas wherein entities can learn to be creative. lr is only giving a few examples so that you. in your own imagination can lear”
• 40% in: “ur own imagination can learn to be more creative in your thinking, in your actions. Creativity has to do sometimes with substitu”
• 40% in: “tive in your thinking, in your actions. Creativity has to do sometimes with substitution. You substitute the normal traditional th”
• 40% in: “mething from the accident and ou become creative. Sometimes. something doesn t workout right, and something else is made. The li”
• 53% in: ” This Awareness suggests that the human creative irtipulse, constantly motivated toward spiritual expres sion from the earliest “
• 54% in: “iscovery of these potentials due to the creative expression of such entities as Wolfgang Arnedeus Mozart. This Awareness suggest”
• 78% in: “1 m incr dil iE ggwer and i,1n1 imi ted creative capacity is it gift that shouldhe eitploitedexponemlall e,r tanc T iat Eoiivndi”

Issue 1997-17:

“0% In: Attachment: And How To Merge With The Divine Creator”

To Read This Issue:

Excerpts From This Issue On Creativity

• 32% in: “ory of human civilization ere have been creative inspira tions within hurnarr beings, direct conscious attunements with spiritua”
• 33% in: “e through which they could express such creativity and expressions of spirit to the others of their community, that rgniritual irr”
• 33% in: “beinggs, has talteticettarn spiritually creative offerirrgs bas upon historical contributions, tempered with the contributions o”
• 34% in: “f. But this Awareness suggests that the creative angelic spirituality that manifests Ln each and every religion which speaks to “
• 37% in: “l is also the guardian and treasurer of creative talents. Healers anti artists who brinF beauty to the earth are under the influ”
• 37% in: “ch and every entity who has experienced creative insight has achieved personal breakthrough, sgiritual expres sion, and that to “
• 38% in: “z lnuste, p fstcal stimu ation, breath, creative Visualization, and in eed, as has been offered and experienced through the ciia”
• 39% in: “to act, following a feelir g, is ow all creative char e and evolution is experience in the world, and that Etrough simple altera”
• 44% in: “d spiritual expression within unlimited creative freedom, We can continue. The Archangel Aur l Quasriosrn The Tth and last of th”
• 44% in: “d winter. Auriel is associated with the creative earth energy of Winter, the ebb period when the seed is in the eart and all is “
• 45% in: “g nonnai sleep hours wherein tremendous creative developmental alterations occur. This Awareness suggests that entities ponder e”
• 46% in: ” So, to connect with the angels, our co creative COHHISFEBIIS, we first have to create the proper climate of trust or the connec”
• 49% in: “he Angels An Angel Gutded Journey Into, Creativity 9.951 Meseerglers of Llght the Angels Gulde 0 Sparltuel Growth 9.95. Please a d”
• 50% in: “d spirituality, so that they fgeilitate creative devel iip ment and expression, and willful empowerment. This Awareness suggests”
• 52% in: “mune, LQ eve, to cooperate and interact creative y with other entities tor they have found the ultimate tneanintp and purpose of”
• 56% in: ” cleansed and it can be restored as the creative convener ol spiritual energy that it was designed to be, rather than Lhe interl”
• 67% in: ” directing the esire and intention into creative manifestations to facilitate the development and expression of the individual s”
• 72% in: “ess har begun to usher a renaissance of creative ideas, c reative xnsprrw tions, and artistic expressions wllich shall facilitar”
• 74% in: ” result is that humanity will tcain its creative powers in the way the Divine reator intended entities will no lonper be driven “
• 76% in: “s and show entities how to regain their creative powers as originalg intended, reestabhsh that connection with the Divine reator”
• 81% in: “nrnent tliat such incredible s iritual, creative, healing and manifestin power lies witihin each of us, but has been forgotten d”
• 85% in: “the past two years, is gone, replacedby Creative Dating Week with a modified message of yust saying, May e. In Orlando, Florida,”

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